![]() ![]() Incorporating a wash of eerie synths, beguiling string arrangements, limpid piano and uplifting choral vocals, AWVFTS’s latest venture deftly bridges the worlds of ambient tone-poem, neo-classical and post-rock with a consummate command of emotion and a mastery of sonic architecture. On the stately, Bach-inspired There is One of Which You Never Speak, the Stars Of The Lid founder and the seasoned soundtrack composer pair a low cello and piano to haunting effect, whilst Despair Dialogue mines the tranquillity of warm synth clusters whilst toying with bleary shards of static noise. The sumptuous, cinematic and melancholy So That The City Can Begin To Exist opens the record with a doleful piano figure and dazzling synths, whilst the shape-shifting The Celestial City features dizzying swells of brass, distorted textures and angelic choral refrains that transport the listener to immersive captivation. ![]() Where Calvino’s literary style is discursive and rarely offers a linear narrative, so too AWVFTS peddle a musical alchemy that dispenses with any straightforward rock structures and revels in sudden and unexpected shifts in texture. The pair’s dreamy and regal soundscapes and the book’s elegant, postmodernist inquiry make for perfect companions, both engendering passion and fascination in equal measure. "Total Perspective Vortex" is truly hair-raising, gradually piling on evil-sounding guitars, reversed effects, and ghostly voices before it all reaches a standstill and slowly lingers to a soft coda.Helmed by theatre producer and video designer Leo Warner, Invisible Cities is part of a multi-media stage show interpretation of Italo Calvino’s 1972 novel of the same name that received its premiere in 2019 at the Manchester International Festival. "There Is One of Which You Never Speak" is tense and shivering at the start, then erupts with electrifying static near the end, and "Despair Dialogue" inserts smoldering feedback into a cavernous soundscape. A Winged Victory for the Sullen, the composer collaboration between Stars of the Lid founder Adam Wiltzie and LA composer Dustin OHalloran, composed ‘Invisible Cities’ as the stunning score to the critically acclaimed theatre production of the same name. A few moments have a sort of gothic beauty to them, like the swaying pizzicatos of "Nothing of the City Touches the Earth" or the chilling, fluttering "Thirteenth Century Travelogue." After the clear, resonant emotional peak "Only Strings and Their Supports Remain," the album gets darker, more disorienting, and even more unstable. Other tracks gradually apply frayed, shoegaze-like distortion to ethereal choirs and celestial horns, reflecting the composers' backgrounds in alternative and experimental music and adding a haunting edge. The piano melody of the glacial opener "So That the City Can Begin to Exist" shifts into focus several minutes into the piece, when one isn't expecting it, and doesn't swell up into a grand crescendo when it seems like it's about to. O'Halloran and Wiltzie have scored numerous films and dance pieces before, and as with previous AWVFTS efforts, they seem uninterested in following typical cinematic clichés with their work. composer Dustin O'Halloran, are set to release new album ‘Invisible Cities’ on the 26th February 2021, the stunning score to the critically acclaimed theatre production directed by London Olympics ceremony video designer Leo Warner. The duo released a 42-minute studio album of material drawn from the production, and the music easily stands out on its own, even without the choreography and high-res video projections. A Winged Victory for the Sullen, the composer collaboration between Stars of the Lid founder Adam Wiltzie and L.A. The 90-minute show premiered at the Manchester International Festival in July 2019, and was scheduled for a worldwide tour before COVID-19 derailed the plans. A Winged Victory for the Sullen, the neo-classical duo consisting of Dustin O'Halloran and Stars of the Lid's Adam Wiltzie, were commissioned to compose the score to a Leo Warner-directed multimedia stage production based on Italo Calvino's 1972 novel Invisible Cities. ![]()
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